The Oxford Handbook of Critical Improvisation Studies, Volume 2

(640 Seiten)
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George E. Lewis
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Preface to Volume II

George E. Lewis and Benjamin Piekut

I. Cities

1. Improvisation Technology as Mode of Redesigning the Urban
Christopher Dell and Ton Matton

2. Lots Will Vary in the Available City
David P. Brown

3. Improvising the Future in Post-Katrina New Orleans
Eric Porter

II. Creativities

4. Billy Connolly, Daniel Barenboim, Willie Wonka, Jazz Bastards, and the Universality of Improvisation
Raymond MacDonald and Graeme Wilson

5. A Computationally Motivated Approach to Cognition Studies in Improvisation
Brian Magerko

6. A Consciousness-based Look at Spontaneous Creativity
Ed Sarath

7. In the Beginning, There Was Improvisation
Bruce Ellis Benson

III. Musics

8. Landmarks in the Study of Improvisation: Perspectives from Ethnomusicology
Bruno Nettl

9. Saving Improvisation: Hummel and the Free Fantasia in the Early Nineteenth Century
Dana Gooley

10. Negotiating Freedom and Control in Composition: Improvisation and Its Offshoots, 1950 to 1980
Sabine Feisst

11. Musical Improvisation: Play, Efficacy, and Significance
A. J. Racy

12. Improvisation in Freestyle Rap
Ellie M. Hisama

13. Speaking of the I-Word
Leo Treitler

IV. Writings

14. Modernist Improvisations
Rob Wallace

15. Diversity and Divergence in the Improvisational Evolution of Literary Genres
Jennifer D. Ryan

16. Improvisatory Practices and the Dawn of the New American Cinema
Sara Villa

17. Brilliant Corners: Improvisation and Practices of Freedom in Sent for You Yesterday
Walton Muyumba

18. Improvisation in Contemporary Experimental Poetry
Hazel Smith

V. Media

19. Subjective Computing and Improvisation
D. Fox Harrell

20. Improvisation and Interaction, Canons and Rules, Emergence and Play
Simon Penny

21. Imposture as Improvisation: Living Fiction
Antoinette LaFarge

22. Role-Play, Improvisation, and Emergent Authorship
Celia Pearce

23. Bodies, Border, Technology: The Promise and Perils of Telematic Improvisation
Adriene Jenik

24. She Stuttered: Mapping the Spontaneous Middle
Sher Doruff

VI. Technologies

25. Live Algorithms for Music: Can Computers Be Improvisers?
Michael Young and Tim Blackwell

26. Improvisation of the Masses: Anytime, Anywhere Mobile Music
Ge Wang
Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.

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